To do that we just need to select and click on the white part of the image and voila. Now we can do this manually with the temperature and tint sliders or er can save some time and use premiere's auto White Balance Selector. In this case, we're going to use her sneakers as a reference. Our goal is to "neutralize" or whit balance the whites and we'll want to find something in the image that is white. Looking at the RGB parade scope, the blue trace is elevated above the red and green. Next we'll fix the color temperature since the image is looking cool. Pulling the shadows slider to the left will help us remove that washed outlookĪnd then I'll just adjust this a little more until we have good contrast and exposure. Then let's darken the undertones or the area between the shadows and the mid-tones Of the trace sits right about here near the top. Then we'll bring up the highlights with the control of the white so the brightest parts
We want to bring the trace in the shadows down until the darkest parts of the image We'll adjust the shadows first with the control of the black while watching the waveform. If say again you want to recover or brighten detail in the highlight areas. The tonal range between the highlights and the mid-tones, or the upper part of the image
You want to recover or darken details in the shadow areas and the Highlights control effects The Shadows control affects the tonal range between the shadows and the mid-tones if say
and the control of the white adjusts the brightest or the very top of the image. The black control adjusts the darkest parts or the very bottom darkest point.
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